Somewhere between Kamisaka Sekka and Japanese woodblock, this autumn night scene refuses to behave. The thatched cottage sits in deep warm grey, the moon glows pale, and silvery grasses sweep across the foreground in fine hand-drawn lines. Hang it and a room slows down. Edges soften. A busy hallway starts to feel considered, a bedroom feels quieter. It hangs beautifully above a low console, a sideboard or a bed headboard, with a metre of clear wall on either side. Pair it with pale oak, dark-stained timber, linen, slubby cotton and stoneware in oat tones. Skip glossy chrome and high-contrast graphic prints alongside it — the piece wants air, not competition.