
Cherry and Halved Peach Art Print
Once the deep red enters, the whole room stops apologising. Two pieces of fruit, drawn flat and confident on a warm cream ground — that's the whole brief, and it lands.
What changes when this goes up: the kitchen reads more intentional. Cream walls feel chosen rather than safe. Open shelving full of stoneware suddenly has a focal point that isn't the kettle.
Where to hang it: above a breakfast nook, on the wall between fridge and worktop, in a dining corner, or in a galley kitchen that needs one strong vertical. It's portrait, so it likes a narrow strip of wall.
What to pair with it: cream cabinets, oak or butcher-block timber, terracotta floor tile, brass tap, gingham tea towels, a bowl of actual fruit. Red-and-white checked linen does no harm.
What not to do: don't bury it behind a six-piece spice rack. This print wants a clear stretch of wall and one good lamp — it does the rest.
Once the deep red enters, the whole room stops apologising. Two pieces of fruit, drawn flat and confident on a warm cream ground — that's the whole brief, and it lands.
What changes when this goes up: the kitchen reads more intentional. Cream walls feel chosen rather than safe. Open shelving full of stoneware suddenly has a focal point that isn't the kettle.
Where to hang it: above a breakfast nook, on the wall between fridge and worktop, in a dining corner, or in a galley kitchen that needs one strong vertical. It's portrait, so it likes a narrow strip of wall.
What to pair with it: cream cabinets, oak or butcher-block timber, terracotta floor tile, brass tap, gingham tea towels, a bowl of actual fruit. Red-and-white checked linen does no harm.
What not to do: don't bury it behind a six-piece spice rack. This print wants a clear stretch of wall and one good lamp — it does the rest.
Original: $19.95
-65%$19.95
$6.98Description
Once the deep red enters, the whole room stops apologising. Two pieces of fruit, drawn flat and confident on a warm cream ground — that's the whole brief, and it lands.
What changes when this goes up: the kitchen reads more intentional. Cream walls feel chosen rather than safe. Open shelving full of stoneware suddenly has a focal point that isn't the kettle.
Where to hang it: above a breakfast nook, on the wall between fridge and worktop, in a dining corner, or in a galley kitchen that needs one strong vertical. It's portrait, so it likes a narrow strip of wall.
What to pair with it: cream cabinets, oak or butcher-block timber, terracotta floor tile, brass tap, gingham tea towels, a bowl of actual fruit. Red-and-white checked linen does no harm.
What not to do: don't bury it behind a six-piece spice rack. This print wants a clear stretch of wall and one good lamp — it does the rest.




