Crimson Bloom on Shadowed Ground Art Print
Rooms go quieter when deep red is this sure of itself. A single stem of small blooms holds the centre of a near-black ground, painted with the kind of patience you only get from old botanical studies.
Put it up and the wall stops being a wall. The dark backdrop pulls in lamplight, the red picks up whatever warm tones are already in the room, and the corner suddenly has a focal point instead of dead space.
It works best on a darker or moody wall — deep green, inky blue, charcoal, smoky plaster. Above a writing desk, a small console, or on the short wall of a bedroom. Eye-level, no higher.
Pair with walnut, aged leather, velvet in dark tones, stoneware, and warm metals like brass or bronze. One good lamp nearby does more for it than overhead lighting.
Printed on premium fine-art paper to hold the depth of the blacks and the warmth of the reds.
Rooms go quieter when deep red is this sure of itself. A single stem of small blooms holds the centre of a near-black ground, painted with the kind of patience you only get from old botanical studies.
Put it up and the wall stops being a wall. The dark backdrop pulls in lamplight, the red picks up whatever warm tones are already in the room, and the corner suddenly has a focal point instead of dead space.
It works best on a darker or moody wall — deep green, inky blue, charcoal, smoky plaster. Above a writing desk, a small console, or on the short wall of a bedroom. Eye-level, no higher.
Pair with walnut, aged leather, velvet in dark tones, stoneware, and warm metals like brass or bronze. One good lamp nearby does more for it than overhead lighting.
Printed on premium fine-art paper to hold the depth of the blacks and the warmth of the reds.
Original: $19.95
-65%$19.95
$6.98Description
Rooms go quieter when deep red is this sure of itself. A single stem of small blooms holds the centre of a near-black ground, painted with the kind of patience you only get from old botanical studies.
Put it up and the wall stops being a wall. The dark backdrop pulls in lamplight, the red picks up whatever warm tones are already in the room, and the corner suddenly has a focal point instead of dead space.
It works best on a darker or moody wall — deep green, inky blue, charcoal, smoky plaster. Above a writing desk, a small console, or on the short wall of a bedroom. Eye-level, no higher.
Pair with walnut, aged leather, velvet in dark tones, stoneware, and warm metals like brass or bronze. One good lamp nearby does more for it than overhead lighting.
Printed on premium fine-art paper to hold the depth of the blacks and the warmth of the reds.
