Rooms go quieter when deep red is this sure of itself. A single stem of small blooms holds the centre of a near-black ground, painted with the kind of patience you only get from old botanical studies.

Put it up and the wall stops being a wall. The dark backdrop pulls in lamplight, the red picks up whatever warm tones are already in the room, and the corner suddenly has a focal point instead of dead space.

It works best on a darker or moody wall — deep green, inky blue, charcoal, smoky plaster. Above a writing desk, a small console, or on the short wall of a bedroom. Eye-level, no higher.

Pair with walnut, aged leather, velvet in dark tones, stoneware, and warm metals like brass or bronze. One good lamp nearby does more for it than overhead lighting.

Stretched over a wooden frame and ready to hang, with the soft canvas surface taking the edge off the darkest shadows.