Figs, Toast and Daffodils Canvas Print
We like still life best when it comes with a little abrasion. This one has it — figs cut open in hot pink, an orange chair pushed back, daffodils leaning out of a glass, all of it sitting against a deep cobalt blue that refuses to behave.
The room changes around it. Walls that read as plain suddenly look considered. A quiet kitchen gets a focal point. A pale dining room gets the colour it was missing without anyone having to repaint.
Hang it where people eat or make coffee — kitchen, breakfast nook, dining wall, the bit of hallway next to the pantry. Eye-level on a clear stretch of wall does the most work.
Pairs well with pale oak, linen, ceramic, brass, and chalky off-white walls. Earthy stoneware and a simple rush-seat chair both belong in the same room.
What not to do: don't hang it next to another loud print. It's already the loudest thing in the room. Stretched over a wooden frame and ready to hang.
We like still life best when it comes with a little abrasion. This one has it — figs cut open in hot pink, an orange chair pushed back, daffodils leaning out of a glass, all of it sitting against a deep cobalt blue that refuses to behave.
The room changes around it. Walls that read as plain suddenly look considered. A quiet kitchen gets a focal point. A pale dining room gets the colour it was missing without anyone having to repaint.
Hang it where people eat or make coffee — kitchen, breakfast nook, dining wall, the bit of hallway next to the pantry. Eye-level on a clear stretch of wall does the most work.
Pairs well with pale oak, linen, ceramic, brass, and chalky off-white walls. Earthy stoneware and a simple rush-seat chair both belong in the same room.
What not to do: don't hang it next to another loud print. It's already the loudest thing in the room. Stretched over a wooden frame and ready to hang.
Original: $64.95
-65%$64.95
$22.73Description
We like still life best when it comes with a little abrasion. This one has it — figs cut open in hot pink, an orange chair pushed back, daffodils leaning out of a glass, all of it sitting against a deep cobalt blue that refuses to behave.
The room changes around it. Walls that read as plain suddenly look considered. A quiet kitchen gets a focal point. A pale dining room gets the colour it was missing without anyone having to repaint.
Hang it where people eat or make coffee — kitchen, breakfast nook, dining wall, the bit of hallway next to the pantry. Eye-level on a clear stretch of wall does the most work.
Pairs well with pale oak, linen, ceramic, brass, and chalky off-white walls. Earthy stoneware and a simple rush-seat chair both belong in the same room.
What not to do: don't hang it next to another loud print. It's already the loudest thing in the room. Stretched over a wooden frame and ready to hang.
