If You Are What You Eat, Then I Am Pasta Canvas Print
For a kitchen full of curves, this typography print brings the cheek. The wording is hand-drawn and the cutlery, glasses and pasta plates are sketched in like a friend's notebook doodle, all on a warm off-white ground.
It lifts the room without shouting. The primary pops — coral, mustard, sky blue, soft pink and sage — read as cheerful rather than busy, so the rest of the kitchen can stay calm and useful.
It hangs well above a small dining table, beside open shelving, in a breakfast nook, or on the wall facing you as you walk into a galley kitchen.
Pair it with cream ceramics, an oak chopping board, a linen runner, brass handles and a stack of cookbooks. It also gets along with terracotta pots and a bowl of lemons.
Don't drown it. Hung between two other loud prints or over a heavily patterned tile, it loses the joke. Give it space to be the punchline. Stretched over a wooden frame and ready to hang straight from the box.
For a kitchen full of curves, this typography print brings the cheek. The wording is hand-drawn and the cutlery, glasses and pasta plates are sketched in like a friend's notebook doodle, all on a warm off-white ground.
It lifts the room without shouting. The primary pops — coral, mustard, sky blue, soft pink and sage — read as cheerful rather than busy, so the rest of the kitchen can stay calm and useful.
It hangs well above a small dining table, beside open shelving, in a breakfast nook, or on the wall facing you as you walk into a galley kitchen.
Pair it with cream ceramics, an oak chopping board, a linen runner, brass handles and a stack of cookbooks. It also gets along with terracotta pots and a bowl of lemons.
Don't drown it. Hung between two other loud prints or over a heavily patterned tile, it loses the joke. Give it space to be the punchline. Stretched over a wooden frame and ready to hang straight from the box.
Original: $64.95
-65%$64.95
$22.73Description
For a kitchen full of curves, this typography print brings the cheek. The wording is hand-drawn and the cutlery, glasses and pasta plates are sketched in like a friend's notebook doodle, all on a warm off-white ground.
It lifts the room without shouting. The primary pops — coral, mustard, sky blue, soft pink and sage — read as cheerful rather than busy, so the rest of the kitchen can stay calm and useful.
It hangs well above a small dining table, beside open shelving, in a breakfast nook, or on the wall facing you as you walk into a galley kitchen.
Pair it with cream ceramics, an oak chopping board, a linen runner, brass handles and a stack of cookbooks. It also gets along with terracotta pots and a bowl of lemons.
Don't drown it. Hung between two other loud prints or over a heavily patterned tile, it loses the joke. Give it space to be the punchline. Stretched over a wooden frame and ready to hang straight from the box.
