La Revue Blanche by Pierre Bonnard Art Print
For a living room full of curves, this Parisian poster brings the check. Bonnard's 1894 design pushes a fur-collared figure and a newsboy against a wall of hand-lettered typography in graphite grey, bone, and warm ochre. Hang it where it can carry weight on its own — above a writing desk, in a study, or anchoring a tall hallway wall. It plays beautifully with aged leather, ticking stripe, oak shelving, and a small brass picture light. Avoid setting it beside other heavy typographic posters or anything high-chroma; the print is already doing the talking and wants quieter neighbours. On thick fine-art paper, the lithographic flatness and hand-lettered ink read exactly as Bonnard drew them.
For a living room full of curves, this Parisian poster brings the check. Bonnard's 1894 design pushes a fur-collared figure and a newsboy against a wall of hand-lettered typography in graphite grey, bone, and warm ochre. Hang it where it can carry weight on its own — above a writing desk, in a study, or anchoring a tall hallway wall. It plays beautifully with aged leather, ticking stripe, oak shelving, and a small brass picture light. Avoid setting it beside other heavy typographic posters or anything high-chroma; the print is already doing the talking and wants quieter neighbours. On thick fine-art paper, the lithographic flatness and hand-lettered ink read exactly as Bonnard drew them.
Original: $19.95
-65%$19.95
$6.98Description
For a living room full of curves, this Parisian poster brings the check. Bonnard's 1894 design pushes a fur-collared figure and a newsboy against a wall of hand-lettered typography in graphite grey, bone, and warm ochre. Hang it where it can carry weight on its own — above a writing desk, in a study, or anchoring a tall hallway wall. It plays beautifully with aged leather, ticking stripe, oak shelving, and a small brass picture light. Avoid setting it beside other heavy typographic posters or anything high-chroma; the print is already doing the talking and wants quieter neighbours. On thick fine-art paper, the lithographic flatness and hand-lettered ink read exactly as Bonnard drew them.
