William Morris Centenary Poster Art Print
There's a reason William Morris kept returning to botanicals; rooms still respond. Hung in a study or hallway, the deep green ground settles the wall and the mustard yellow flowers warm the whole corner. The cream lettering keeps it graphic rather than fussy, so it reads as art first and exhibition poster second. Hang it above a writing desk, console or sideboard, ideally on a chalky off-white or sage painted wall. Pair with oak or walnut wood, brass fittings, linen and a stoneware lamp. Skip anything too icy or chrome-heavy alongside it — the warmth of the yellow and the depth of the green want softer, lived-in materials nearby.
There's a reason William Morris kept returning to botanicals; rooms still respond. Hung in a study or hallway, the deep green ground settles the wall and the mustard yellow flowers warm the whole corner. The cream lettering keeps it graphic rather than fussy, so it reads as art first and exhibition poster second. Hang it above a writing desk, console or sideboard, ideally on a chalky off-white or sage painted wall. Pair with oak or walnut wood, brass fittings, linen and a stoneware lamp. Skip anything too icy or chrome-heavy alongside it — the warmth of the yellow and the depth of the green want softer, lived-in materials nearby.
Original: $19.95
-65%$19.95
$6.98Description
There's a reason William Morris kept returning to botanicals; rooms still respond. Hung in a study or hallway, the deep green ground settles the wall and the mustard yellow flowers warm the whole corner. The cream lettering keeps it graphic rather than fussy, so it reads as art first and exhibition poster second. Hang it above a writing desk, console or sideboard, ideally on a chalky off-white or sage painted wall. Pair with oak or walnut wood, brass fittings, linen and a stoneware lamp. Skip anything too icy or chrome-heavy alongside it — the warmth of the yellow and the depth of the green want softer, lived-in materials nearby.
