Twelve Chairs in Blue Canvas Print
We like chair studies best when they come with a little abrasion. The lines are wobbly on purpose — twelve different chairs, each with its own posture, drawn in deep blue ink and left to breathe on white. It's design history without the lecture. Put it in a kitchen, dining room or home office and the room gets a small dose of wit. Walls feel less flat. A boring corner suddenly has something to look at over coffee. Hang it eye-level above a console, a sideboard, or between two cabinets. It also holds a narrow strip of wall really well in portrait. Pair with pale oak, simple linen, rattan and a stoneware mug or two. Skip anything fussy nearby — busy florals, ornate gilt frames, or other heavily patterned prints will fight it. Stretched on a wooden frame and ready to hang straight from the box.
We like chair studies best when they come with a little abrasion. The lines are wobbly on purpose — twelve different chairs, each with its own posture, drawn in deep blue ink and left to breathe on white. It's design history without the lecture. Put it in a kitchen, dining room or home office and the room gets a small dose of wit. Walls feel less flat. A boring corner suddenly has something to look at over coffee. Hang it eye-level above a console, a sideboard, or between two cabinets. It also holds a narrow strip of wall really well in portrait. Pair with pale oak, simple linen, rattan and a stoneware mug or two. Skip anything fussy nearby — busy florals, ornate gilt frames, or other heavily patterned prints will fight it. Stretched on a wooden frame and ready to hang straight from the box.
Original: $64.95
-65%$64.95
$22.73Description
We like chair studies best when they come with a little abrasion. The lines are wobbly on purpose — twelve different chairs, each with its own posture, drawn in deep blue ink and left to breathe on white. It's design history without the lecture. Put it in a kitchen, dining room or home office and the room gets a small dose of wit. Walls feel less flat. A boring corner suddenly has something to look at over coffee. Hang it eye-level above a console, a sideboard, or between two cabinets. It also holds a narrow strip of wall really well in portrait. Pair with pale oak, simple linen, rattan and a stoneware mug or two. Skip anything fussy nearby — busy florals, ornate gilt frames, or other heavily patterned prints will fight it. Stretched on a wooden frame and ready to hang straight from the box.
